November 17 Program by Liz Moncrief
This program provides new and sometimes unknown but relevant information on the care and maintenance of your loom and weaving equipment. Just as fine furniture needs attention, your ‘working’ equipment is in constant use and deserves your focused consideration. We’ll cover loom types, mechanisms, maintenance and repair, solid advice for new weavers, and helpful tips for better outcomes in your weaving.
During her career as a Forester, Liz also maintained a small business of spinning, weaving and dyeing and has exhibited several woven pieces in Colorado, Wyoming and now Washington galleries. In addition to teaching weaving and spinning in Skagit Valley since moving to Washington in 2014, she has also repaired looms and wheels for twenty-some years and revels in bringing an ‘old Dame’ back into useful service.
For more about Liz Moncrief see: http://www.aweaversway.com
This month’s program we “Focus on Lace” with Laura Fry. She chose weaving as a career in 1975 and took weaving classes at every opportunity, including study at Banff School of Fine Arts in Alberta and Varpapuu Summer Weaving School in Finland. She started her business in 1977 and since 1980 has worked full-time as a professional handweaver.
What is woven lace? Carrie May writes: Lace weaving is not just about patterns of holes or spaces. It is about structure. Weaving …- uses warp threads which are anchored at both ends and crossed in straight lines by wefts threads. It is hard to make circles and curves out of right angles. When lace is woven, the pattern often does not show up until the fabric is off the loom and washed. Only when the fabric is relaxed can the pattern show. For more see: http://www.weavingindiana.org/PDFs/LaceProgramHandout.pdf
Laura is from Prince George, B.C. where the 2019 ANWG conference will be held.