November Tip Jar

The tip jar raddled and here are your favorite tips from November –

Showcase is a great way for others to get new ideas, new approaches and great ideas. Each month, please bring what you are working on or have completed and share what you learned in the process of creating.

Nancy Sedlacek’s prayer flags were woven using 10 of the various treadling variations from the “Rose Path Project No. 1” pattern, either threading 3 or 4, from A Handweaver’s Pattern Book by Marguerite Porter Davison. It was like doing a twill sampler, only making individual flags from each variation. Great fun!

Learn more about Tamarie balls see http://www.temari.com/. Nancy Sedlacek used felt balls as her base for the Tamarie balls she made.

Men’s ties are great for embellishments to your hand woven or felt projects.

http://www.leclerclooms.com/book/warp&weave.htm This free book to download has instruction on warping and weaving different types of looms. Do not miss chapter 11 “What Every Weaver Should Know”
For tapestry see http://www.leclerclooms.com/book/Iweave_v2A.pdf

Terri Whitehouse shared how to Twist and Knot and was a great help to the person sitting next to her. Sharing those little tips with each other helps us all. Yarn Barn one of our advertisers describes the fringe twister and how to use http://www.yarnbarn-ks.com/Fringe-Twister/productinfo/WA-XX-FRT-/

Scan your yard, your neighbors yard, the church yard or the field down the way to see what is available and use nature to dye hand spun wool.

Members taking time to go though their history provided excellent background information showing progression in design and complexity of there work. Building on what your know, what mentors share, influence from other disciplines, especially art, reading and exploring with classes are all ways possible to progress on your journey. Planning is an important part of the journey too. Nancy Sedlacek went back and discovered how early on in 4-H she developed her process Plan To Learn. Read on for Nancy’s discovery.

Wow – it was definitely serendipity this weekend! Went to visit my parents and my mother had set our some old cook booklets – one of which was one of my 4-H books! So now I can look at the actual book and I really see how I began to form my method of learning a new skill on my own.

To begin, one must of course choose the topic. In the case of this booklet, it was how to bake. The booklet then sets up a plan for making increasingly complicated items. This plan is up front as one has to complete a certain number of items to achieve the level or learning. The list looks at pretty much all aspects of the topic – one must not only bake several different types of goods, but must bake several within each type, must judge other baked goods and compare commercial to homemade. One also has to demonstrate to others how to do the baking, has to serve their baked goods to others and submit some to judging and, finally, one must also visit a professional bakery. Along with the baking and activity list,, there is also a list of other skills that need to be used and/or learned in order to do this project. (And this is all just in the first page!)

Then the book goes over background information for baking, and gives written directions for how to do different techniques. It also instructs in how to plan to bake. Then there are recipes, a glossary, more instructions and background with every type of baked good covered, and ideas on how to incorporate baked goods into a day’s healthy menu, plus how to serve the items. The back cover is a record sheet for recording all that one did in the project.

As you can tell, this is all pretty thorough for a 10 to 12 year old’s exploration and learning of a new skill! And the entire program was done this way, from all the cooking skills to fiber arts and animals. What is interesting to me as I look this over is that this is very similar to how I designed my foods classes for the high schoolers I taught!

As an adult I do a similar process –

I identify what I want to learn, then I make a plan for what the various steps are in my learning process for the particular skill. I spend a lot of time gathering all the written background and information I can about the skill or subject, taking notes along the way as I read. (I don’t watch videos and seldom take classes as I learn best by reading – which I realize is not for most people!) Once I feel I have enough information, I begin to try techniques to learn how to do them, using the books and illustrations I found. As I gain skill, I make a plan or timeline for creating items or producing things that will challenge me to perfect the skill or technique. I try to work my way to a “final project” that will incorporate all I’ve learned and (hopefully!) show mastery of the skill/technique.

Here are your favorite tips from October –

  • Check out selvage techniques Handwoven November/December on page 22 by Tom Knisley.
  • Regine Carey did the rainbow discharge dye on Kathy Forsythe’s 8/2 tencel fibers for her Kumihimo project using the directions that came with the Procion MX Dye chemicals from PRO Chemical and Dye http://www.prochemicalanddye.com/home.php Somerset, MA. For technical support call 508-676-3838. Check with Regine for more about the process she used.
  • Terri Standley’s fabric was inspired from the article in Handwoven March/April 2000. The name of the article is “Good Enough to Eat; color blending with Huck Lace.” She used draft # 5 on page 49. It is for the red and coral scarf. Happy weaving!
  • To check contrast between items take a picture of them, then change image to black and white, gray scale, to determine contrast. For more on value contrast see http://anchorageweavespin.org/tips2.html
  • Weft floats can make weaving curl. For more see https://www.cs.arizona.edu/patterns/weaving/articles/fa1_curl.pdf
  • Count your heddles before warping your loom to make sure you have enough heddles on your loom for the project you have planned
  • To get more weaving length from your warp take the reed out of its beater leaving the reed suspended on the warp and continue to weave

Dying with Oak Galls

Gail Trotter is hosting a time to do dying with Oak Galls. If you are interested please vote for your preferences on time at http://doodle.com/poll/ab23qgsz96bah8i7#table

For a description of dying see:

http://www.primitiveways.com/black_dye.html

Bring a container you can take home with your dye and fibers soaking.
Bring what you want to dye – natural fibers / fabric. If you would like to do Shibori you can prepare the fabric to take the dye at home or at Gail’s

We will mix up the solution and start the dying and the following days you can switch to the iron mixture.

Email if you have questions –  getrotter@comcast.net

Gail will follow up with more information on based on the doodle list so please vote.

Tip Jar Raddle – Tips from members

About Paper Yarn – Bill Green used Habu Item A-60, http://habutextiles.com/A-60, color 116, 100% linen, 476 yds, 4 mm. Wide. He used about 1/2 the hank for one scarf. Hank cost $22.50 at Fibers Etc. in Tacoma. … from Cara Leslie

Appreciated tip from Ardith Hamilton about noticing that the loom is out of balance when the beater at rest does not lay evenly on the castle. For other maintenance problems see: http://www.janellestudio.com/weaving/loomspinwhrepair.html It has good tips on dealing with rust that are useful in our damp climate.
Ardith also shared about using fishing line for salvages then removing when weaving complete.

If you are comparing looms, their styles and best use – Erica Plotkin suggests:
I think if one were weaving rugs, one would want a very sturdy and heavy duty loom to beat the rugs firmly with.  If one wanted to weave complex patterns and mutli-shaft drafts (patterns), one would probably want to look at a computer linked loom, with only two treadles. Then there is size to consider – how wide do you want and do you want it to be portable. Some floor looms can fold up and travel, otherwise there are table looms.
Judy Parkins likes HGA tips on buying a first loom https://www.weavespindye.org/buying-a-first-loom

Thanks for sharing your useful tips or inquires in the Tip Jar.

Felt Study Group

If you have interest in a Felt Study Group, please e-mail Gail Trotter, getrotter@comcast.net or pass on the information at the April meeting.
Please provide the following info:
1. What your learning interests are
2. How frequently would you like to meet: monthly, quarterly or other and
Your favorite time to meet weekends, weekdays or nights
3. Other thoughts or insights

Mentoring

I went to the Burke Museum in Seattle to see the Here and Now exhibit http://www.burkemuseum.org/hereandnow . Its focus is on how today’s artists learn from past generations. For Native people there often are gaps in knowledge being pass down so they rely on photos or deconstructing weaving to learn how it was done. It was quite inspiring to see how they brought to life the past into today’s issues. I thought of what we have learned in the Legends programs and the possibilities with using the ANWG grant for mentoring. We are fortunate to have so many around us in the guild who are willing to share.