Coast Salish Art at the Burke

(forwarded via Tamie)
Hello!

 
Greetings from the Burke Museum! We would like to invite you to the Burke Museum to enjoy Coast Salish art activities at the Burke. Coast Salish artifacts not normally on display will be available for viewing and visitors can try their hand at a large weaving loom. There are also guided exhibit tours every Saturday at 1 pm. Coast Salish art activities are available Saturdays and Sundays in April, 11 am – 3 pm. Please pass on this information on to anyone who may be interested. More details can be found a the website:
 
Please contact me if you have any questions.
Thank you,
Salyna Sek

Public Relations and Marketing Assistant

Burke Museum of Natural History and Culture

University of Washington Box 353010

Seattle, WA  98195-3010

Tel: 206-616-7538 | Fax: 206-616-1274

Burkepr@uw.edu

www.burkemuseum.org

The Washington State Museum since 1899

 

Visit the Burke Blog | Follow the Burke on Twitter or Facebook

Yarn In A Bag — 2013

Gallery

This gallery contains 33 photos.

The Yarn-in-a-Bag challenge for 2013:  All participants contributed odds and ends of unwanted yarn, which were divided up into bags and redistributed.  The challenge was to create “something”–woven, felted, knitted, crocheted, braided, or knotted–from the yarns, which were mixed wool, … Continue reading

April 2013 Showcase

Gallery

This gallery contains 35 photos.

Members getting ready for ANWG 2013, with the theme “Crossing Threads, Crossing Borders,” OWG’s interpretation is “Baggage We Carry.” The emphasis is on baskets and bags (and what they contain or represent).  Of course, there is the usual proliferation of … Continue reading

Administrativia for Contributors — How to use the WordPress Editor

Once you have registered to login and have been granted the privileges of Contributor, Author, or Editor, you will be able to access the adminstrative section (which WordPress calls the Dashboard) where you can explore the editor and practice composing posts, previewing them as they will appear “online” and, if you have author or editor status, publish them.  Editors can also create and modify web pages as well as blog posts.  The editor is a simplified word processor that is web-aware.  At the top of the edit box you will see some familiar icons that allow you to format text as bold, italic, bulleted or numbered lists, centered, etc.  An interesting one is the “Distraction-Free Editing Mode,” which gives you a full-screen page with no menu bars that looks like your article will appear on the web. Hovering the mouse pointer near the top of the screen will bring up a toolbar to get back to the “dashboard” editor display. “Show/Hide ‘Kitchen Sink'” will display more editing tools, including a “Paste from Word” so you can compose in your favorite word processor and select and paste into the blog editor later, preserving your formatting.

If you want special web effects (tables or additional HTML formatting, like changing type size or font), you can switch from Visual mode to Text mode through tabs at the top of the edit window and type text with HTML tags.  Or, you can save as draft and ask me to “fix” it for you.  If you copy from an email or other document and the result looks strange, you can use the “remove formatting” tool and reformat the content yourself. You can use the “Add Media” button to upload pictures or documents or insert existing media library objects. It may be easier to to insert these into text than to add them as you go, as the cursor won’t go past a picture if it is the last thing in a file (though there is a way to get around this feature, by going into ‘text’ mode, typing some characters after the picture block, then switching back to Visual). When finished, you can preview, save draft, or publish.  If you are just practicing, you can simply click away from the editor page and everything you have written will evaporate.

It is a good idea to “Save Draft” (button on upper right) often in case you lose your Internet connection or you inadvertently click away from the edit page (you can click to a different tab in your browser without losing the page, but don’t forget to come back and save before closing the browser).  Don’t forget to select Format and Categories on the right sidebar before publishing,  While you can update the post after publishing, remember that the original published version is the one that will be emailed to WordPress email subscribers.

Administrativia — Registering to contribute to web

I was pleased at the response at the Guild meeting today from members who want to contribute to the web project.  However, I see some confusion about what it means to be registered on the blog site.

On the Blog page, there are two places to register.  One is the “subscribe to blog via email” at the bottom of the right sidebar.  This is what gets you email notification of new posts, and is managed by WordPress.org–I have no record of who has registered, and this simply provides you with email notification only.  However, if you are a Guild member and want to eventually contribute to the web, you must also log in, which is in the “Meta” section above the “subscribe”.  When you click on “Login”, you will be directed to a page asking for your username and password, if you have one.  Below that block is a link to “Register”  If you haven’t previously registered, click on that, then enter your profile, including your full name in addition to your email address.

Since we are configured in “self-service” registration mode, we have a lot of non-guild subscribers, most of them spammers from China and Poland (who have no privileges that the non-subscribing public doesn’t have) some of whom have gmail or hotmail addresses, so the easiest way for me to see which email addresses belong to members is for you to include your name.  You can then send mail to info@olympiaweaversguild.org requesting elevation to “contributor,” “author,”  or “editor,” which will respectively allow you to write articles, publish your own articles, or edit and approve articles written by others and create or edit web pages.

Once you have been granted one of these privileges, you will be able to access the adminstrative section (which WordPress calls the Dashboard) where you can explore the editor and practice composing posts, previewing them as they will appear “online” and, if you have author or editor status, publish them.  Editors can also create and modify web pages as well as blog posts.  The editor is a simplified word processor that is web-aware.  At the top of the edit box you will see some familiar icons that allow you to format text as bold, italic, bulleted or numbered lists, centered, etc.  An interesting one is the “Distraction-Free Editing Mode,” which gives you a full-screen page with no menu bars that looks like your article will appear on the web. Hovering the mouse pointer near the top of the screen will bring up a toolbar to get back to the “dashboard” editor display. “Show/Hide ‘Kitchen Sink'” will display more editing tools, including a “Paste from Word” so you can compose in your favorite word processor and select and paste into the blog editor later, preserving your formatting.

If you want special web effects (like tables or additional HTML formatting), you can switch from Visual mode to Text mode through tabs at the top of the edit window.  Or, you can save as draft and ask me to “fix” it for you.  If you copy from an email or other document and the result looks strange, you can use the “remove formatting” tool and reformat the content yourself. You can use the “Add Media” button to upload pictures or documents or insert existing media library objects. It may be easier to to insert these into text than to add them as you go, as the cursor won’t go past a picture if it is the last thing in a file (though there is a way to get around this feature, by going into ‘text’ mode, typing some characters after the picture block, then switching back to Visual). When finished, you can preview, save draft, or publish.  Don’t forget to select Format and Categories on the right sidebar before publishing,

2013 ANWG NW Weavers Conference
Workshops, Seminars, Marketplace and More!

June 17-23, 2013 — WWU, Bellingham, WA

NW Weavers Conference twitter facebook

Good News!
We Have More Rooms!

 

Rooms! Rooms! Rooms!

As you may know, our total registrations for campus housing were bumping up against the number of rooms WWU had allocated to us.  Well, they have been able to increase that number so now there is no problem!  Hooray!

So – those generous weavers who gave up their single rooms for doubles can change back if they want to.  Also, we have reinstated the option to select a single room when registering.  Our weavers will be housed in one of five dorms.  A while back we asked registrants who have mobility or other issues to let us know so we can do our best to assign them to dorms with easier walking.

We have learned that there are events going on at the same time as our conference which have taken almost all of the space in local hotels and motels.  So if you were thinking of staying at one of those, you might want to choose a dorm room instead.  We have plenty of room for you! For any changes to your registration or questions, please emailregistrar@ANWG-conference-2013.com.

Marketplace Groupie
by Joyce Hunziker, Marketplace Mall Co-Chair

 

My first ANWG conference experience was in 2005.  Since I live near Tacoma, I commuted each day instead of staying on campus.  When other attendees went to their dorms after seminars or lunch, I headed to the vendor hall.  What a gathering of color and texture it was—I had never been surrounded by so many beautiful fibers and weaving supplies.

Again and again, I headed to the vendor hall.  Overnight, I thought of a project that required just the right weight and color of silk yarn; then another project needing a wool blend for scarves; another, cotton for towels.  On the last evening, I realized I was underdressed for the banquet and headed back to find the right jacket…which I still wear.

Through the next conferences, the vendor hall has been the place I return to, again and again—each conference requires at least four visits, don’t you agree?  It’s the go-to place to ask questions of the people who have answers, the place to find the right color/texture/weight/luster of fiber, the shuttle that fits your hand correctly, the kumihimo and project kits with all the needed parts, the books, tools, roving, ribbons, looms, wheels, dyes….

The Marketplace Mall at the 2013 conference will bring old friends—names you will recognize and want to return to.  It will bring new businesses and faces, from near and far.  Visit our Marketplace Mall webpage and check to see who has registered so far and begin planning those next projects.
Warning—ANWG marketplaces are known to be highly addictive.

Conference Events!

We are very excited about the upcoming conference!  As you may know, Friday evening at the conference is unstructured, so you will have some free time to do what you choose.  That could be lounging at your dorm with friends, heading over to the Marketplace for some shopping, joining a group of spinners and knitters, or whatever you would like to do. There is an outing planned for Friday evening which you may want to consider.  We will be car-pooling to a local fiber mill, Ferndale Fiber, and then to the Jansen Art Center in Lynden.

Ferndale Fiber is a wool mill located just north of Bellingham. The mill produces “Potluck Roving” and Needle Felting Wool. They use a huge 1925 carding machine, one of very few left in operation in the US.  Come for a free tour, see the machines, the products and have a fun adventure.  Kathy Green, the owner, will give us a guided tour through the mill, and the tour is certain to be interesting to fiberistas.

At the Jansen, Courtney Lipson Jensen will speak about weaving a Chilkat Robe.  Chilkat weaving is a traditional and unique form of weaving from the Peoples of the Pacific Northwest Coast.  It is one of the most complex weaving techniques in the world in which the weaver can create curvilinear designs in the weave itself.  Using cedar bark and mountain goat wool, native weavers devised this complex technique to create robes and other ceremonial regalia that depict their clan crests and stories.

Courtney Jensen began weaving in 2007 under the gentle tutelage of Chilkat weaver, Chloe Sk.wein French.  Beginning with thigh-spinning her warp yarns from merino wool, she first learned geometric Raven’s Tail weaving.  In 2011, Chloe began teaching Courtney the fundamentals of Chilkat weaving while Courtney’s husband Scott Jensen designed her first robe.  Chilkat robes were traditionally designed by men and woven by women.

From pattern board and raw materials to a Chilkat robe Courtney will take you on a visual journey through her process with anecdotes of lessons learned, wisdom gathered, and a story of the community that contributed to enabling her first Chilkat weaving.  In the next few months, we will be adding other activities for Friday evening as well.  Stay tuned!

What Happens To My Entry After I Ship It To Bellingham?

After your wearable is shipped to Bellingham, several things will happen.  First the fashion show committee will examine the entry to make sure it has arrived in perfect shape.  Then the committee will attach the identification tags that will remain with the garment until it is safely back in your hands.

The photographer will come to Bellingham and, working with the commentator, photograph the details you included on your entry form.  By then he will have conferred with the technical staff at the Concert Hall and will know how to prepare the images to be shown on the large screen during the show.  The commentator will also come to Bellingham and prepare her script.  Then she and the photographer will coordinate the presentation.

The judges will also come to Bellingham and will be able to take their time examining all the entries and making their decisions.  These decisions will be based on how well the entry matches the category and among other entries is the best representation of that category. The fashion show committee will also begin pairing the entries with the models and, working with the commentator, determine the order in which the entries will be shown.

As you can see, every effort will be made to make sure your entries are treated with care.  They will remain at a single location until they are moved to the Concert Hall for the fashion show and moved from there to the nearby Western Gallery.  If you have questions about any facet of the Fashion Show, please feel free to e-mail Marilyn Olsen atMarilyn.Olsen44@gmail.com

Shows Update…

Juried Show…
Some beautiful and interesting entries have arrived for the juried show, and we’re looking forward to seeing yours!  We have garments, tapestries, rumors of rugs – it should be wonderful and varied.  The show will be professionally hung in a beautiful space, so your work will look its very best.

Our juror, Bhakti Ziek, intends to write some feedback for each of you on your piece, so this can be a learning experience as well as a chance to show all of us your work.  There’s still time if it’s not done – the deadline is April 1, and the more pictures the better.  Pictures can be emailed or sent with the entry form and fee. (Addresses are on the form.)  Thanks for taking that leap – enter one of the shows!

Open Show..
Be a part of this great opportunity for all to see your work in the beautiful gallery at Western Washington University while our conference is on– without the fear of being juried.  There’s still time to try something new and to have it seen by many people in the fiber community. It is such a treat to win a ribbon or a prize, so send in your entry for the Open Show by the April 22 deadline.  Just visit our Open Show website page for more information.

Guild Booths…
You are not going to want to miss the Guild Booth displays when you attend this conference. Eighteen guilds will be represented. We’ve heard that the ANWG reps and their committees are hard at work and have come up with some amazing concepts. The booths will be located in the Carver Gym along with the vendor booths. You’ll be able to get inspiration from the booths and then go buy materials!

Materials Lists Posted
If you have already registered for the conference, you will find the materials lists for your workshops, seminars and one-day classes on the website. If there is no materials list PDF, all you need to bring is materials to take notes. Clickhere to visit out materials lists webpage.

Marketplace Mall…
Our 2013 Marketplace Mall is nearly full.  Click here to see some of the merchants who will be there.  We will be telling you more about our merchants in future newsletters.

Mark Your CalendarMarch 20, 2013
Final Date to Submit Fashion Show Entry Form

April 1, 2013
Fashion Show Acceptance Announcement
Juried Show Entry Deadline

April 20, 2013
Final Date to Submit Goodie Bag Items

April 22, 2013
Open Show Entry Deadline

May 1, 2013
Final Date to Receive Fashion Show Garments
Juried Show Acceptance Announced
Open Show Acceptance Announced

June 17-23, 2013
2013 ANWG NW Weavers Conference!

Quick Links To Our Website…
Registration Info
Materials List
Marketplace Mall
Conference Instructors
Conference Seminars
Conference Workshops
Conference 1-Day Classes
Conference Booth Information
All About Awards
Conference Colors
Goodie Bag Submission Info

Donations
Fashion Show Info
Open Show Info
Juried Show Info
ANWG Rep CornerGoodie Bag Update…
We asked for 400 items from participating guilds for the Goodie Bags.  Our registration has passed 490 and we now look towards 500+.  If it is not possible to add more items to your contribution, we will happily take what you can provide and distribute randomly among the bags.  No perishable, bulk or fragile items please.  Visit ourGoodie Bag webpage for more information.
Copyright © 2013 2013 ANWG NW Weavers Conference % Seattle Weavers Guild, All rights reserved.
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Program Planning Survey for 2013-2014

The newly-augmented program committee is seeking input from members on what programs you would like to see in the coming years.  Please download one of the forms below, fill it in, and bring it to the meeting on Friday, March 15, 2013, email electronic versions to info@olympiaweaversguild.org, or comment to this post (the survey content is below the download section).

PDF:  owg_program_topics_survey (to be filled in by hand)

Word: owg_program_topics_survey (.DOC format, to edit and email; please do NOT save as DOCX format)

Open Document Format: owg_program_topics_survey (for use with OpenOffice or LibreOffice [preferred])

Content: (address comments to these items)

Please indicate your interest in program topics, preferences for artists and subjects, or write in your own. Be as specific as needed, e.g., “Compare weaving software; training on specific software; Weaving with… (silk, linen, wool, synthetics, sock yarn, etc)”

Instructors:

  • Guild Members
  • Local Artists
  • Regional Artists
  • National Artists
  • Favorites:

Topics:

Weaving:

  • Design Software:
  • Weave structures:
  • Braids and Bands:
  • Ergonomics:
  • Loom type comparison:
  • Off-loom techniques:
  • Tapestry:
  • Finishing Techniques:
  • (write-in):

Garment construction:

Fibers:

  • Weaving with specialty fibers:

Dyeing:

Felting:

Spinning:

Basketry:

Favorite Topics:

 

 

Northwest Art Alliance Spring Best of the Northwest Art Show

Indie artists, fine craft come to Seattle’s Smith Cove Cruise Terminal for spring art show

Feb. 16, 2013 – The spring Best of the Northwest 24th annual art and fine craft show will be held March 23rd and 24th at Seattle’s Smith Cove Cruise Terminal on Pier 91 by the Magnolia Bridge.

The show will feature more than 140 talented regional artists selling their amazing handcrafted work – everything from jewelry, designer clothing, and paintings to works of glass, metal, wood, clay and more.

Relax and enjoy locally crafted wines, beers and ciders; Blue Moon Brewing Co. and the Family Wineries of Washington State will be hosting beer, wine and hard cider tastings throughout the two-day festival.
Musical entertainment will be provided by live bands, including bluegrass, Dixieland, Cajun and jazz, featuring local favorites such as gypsy jazz group Pearl Django. Grab a bite to eat and be inspired.

Enjoy drop-dead views of the Sound, the city and the mountains from a lively working dock at Smith Cove Cruise Terminal. Admission is $6 online or $7 at the door. Children 12 and under are free. Ample parking is available for $5 all day. For tickets and more information, visitwww.nwartalliance.com.

Organization:  Northwest Art Alliance, producer of Best of the Northwest
Contact:  Ann-Marie Stillion at annmarie@nwartalliance.com
Office Phone:  (206) 525-5926
Website:  www.nwartalliance.com

Address of venue:  2001 West Garfield Street  Seattle, WA 98119
Show Dates:  March 23 & 24, 2013

Show Times: Saturday 10 a.m. – 6 p.m., Sunday 10 a.m. to 5 p.m.
Cost: $6 in advance (buy online at www.nwartalliance.com), $7 at the door
###

COMPANY:  Northwest Art Alliance — a non-profit 501(c)(3) corporation — juries, curates and produces The Best of the Northwest art shows, featuring the works of established and emerging artists and fine craftspeople since 1989.

Ann-Marie Stillion
Social Media and Marketing Manager

N O R T H W E S T  A R T   A L L I A N C E
7777 62nd Ave. NE Suite 103
Seattle, WA 98115
mobile: 206 852-3251
office: 206 388-3363